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Our Patriot Turners- You might remember @RustyFN taking us along on his journey when making his basket illusion vase. He entered the vase into an art center showing and came home with second prize! Here's more on what we all thought- We had activity this past week on our "What's Off" post. @calabrese55 shared his knowledge on some of the various types of acrylic resins along with images of what he discovered about the turning characteristics- Some great information for those who do resin casting/hybrid turning. Also posted was a John Beaver style wave bowl with a recessed wave. Made from spalted sycamore. I was not impressed with the wipe on finish. Multiple applications did not produce a smooth surface. Probably should have saturated with CA or used a non-film finish. New material and comments start here- While not strictly a turning topic, but most turners use "Super Glue" at some time or another. Thanks @kmealy for this link to an informative video on how CA glues work- What’s Coming Up- Last Friday, Cindy Drozda had another Tool Talk. If you missed it, she posted the video on YouTube- For The Newbies- Another tool rest tip from Tim Yoder- Woodworker's Journal no longer publishes the weekly email newsletter but they have made available the articles/projects online. For turning projects, tips and ideas head over to- https://www.woodworkersjournal.com/category/how-to/woodturning/ An essential skill, for any turner, is the ability to turn coves and beads. In this video, Tomislav demonstrates how it's done. Expand Your Horizons- Watch Richard Raffan turn a flat bottomed sewing tray. Flat bottom turnings are deceptive. Looks easy but ain't! Turning Time With Easy Wood Tools- One of the attractive characteristics of carbide tools is the shallow learning curve. First time turners can create items with relative ease. This is especially enjoyable for younger turners who may not have developed all the motor skills necessary to manipulate traditional HSS tools. A short video of a Dad introducing his two children to the joys of turning, using Easy Wood Tools- Kids Learning to Woodturn.mp4 This week's demonstration. If you are in the Oklahoma City Area, check it out! The EWT email newsletter has some great deals and sale savings, but you gotta sign up- https://www.easywoodtools.com/ New Items- Everything Else- From Ron Brown's newsletter Accepting a Commission So, you've decided to take on a commission. Good for you. You've convinced someone that your particular brand of artistry, be it with a brush, a chisel, or a lathe, is precisely what they need to adorn their life. And they, in turn, have decided to trust you with their vision, and perhaps more importantly, their hard-earned cash. It sounds simple, a straightforward exchange of skill for currency. But like most things that appear simple on the surface, this transaction is a good deal more intricate once you start peeling back the layers. When an artist or craftsman agrees to a commission, they're not just agreeing to produce a physical object. They're accepting a responsibility. You're essentially promising to translate an abstract idea – often someone else's abstract idea – into tangible reality. This requires a unique blend of technical prowess, creative interpretation, and, dare I say, a touch of mind-reading. You have to understand not just what they say they want, but what they actually want, often before they fully grasp it themselves. It's about delivering on a promise, not just with your hands, but with your intellect and your integrity. On the other hand, the customer, having placed their trust and finances in your hands, arrives with a set of expectations. These can range from the crystal clear, "I want a cherry wood bowl, 12 inches in diameter, with a fluted rim," to the delightfully vague, "Surprise me, but make it artistic." It's your job to manage these expectations, to clarify ambiguities, and to ensure that what you deliver aligns with what they envision, even if that vision is still a bit hazy around the edges. And this is where the cautions come into play for both parties. For the artist, it's the danger of overpromising and under-delivering. It's the risk of misinterpreting the brief, or worse, not having a clear brief at all. It's the temptation to take on a project that stretches beyond your current capabilities, perhaps out of financial necessity or an inflated sense of self. For the customer, the caution lies in unrealistic expectations, a failure to articulate their desires, or an unwillingness to grant the artist the necessary creative latitude. It's the risk of micromanaging a creative process that thrives on a certain degree of freedom. Then, of course, there are the liabilities and consequences. If you fail to deliver the agreed-upon piece, or if it falls significantly short of the agreed-upon quality, there are repercussions. It's not just a matter of hurt feelings or a tarnished reputation, though those are certainly significant. It can involve financial penalties, the return of deposits, and the kind of negative word-of-mouth that can cripple a burgeoning career. Conversely, suppose the customer repeatedly changes their mind, refuses to provide necessary input, or defaults on payment. In that case, the artist also faces consequences – lost time, wasted materials, and a frustrating experience that sours the well. Ultimately, accepting a commission is an exercise in mutual understanding and trust. It's a professional agreement that, at its best, culminates in a piece of work that satisfies both the creator and the client. But like any worthwhile endeavor, it requires a clear understanding of the responsibilities, an open dialogue about expectations, and a healthy respect for the potential pitfalls. It's a dance, really, and both parties need to know the steps to ensure a graceful and successful performance. Over the years, I have managed to build over 1,000 custom pieces, mostly furniture and cabinets, many of which are made from solid walnut, cherry, and oak. I’ve also been blessed with my share of commercial projects, including period-correct bookcases for one of the halls at the University of Georgia in Athens. One of the food vendors for the Georgia Bulldogs football games contracted me to build rolling food service stations. That one took 40 sheets of plywood and 30 sheets of black plastic laminate. It was an incredible amount of work, and in the end, everyone was pleased. I’ve learned to paper everything in as much detail as possible and have the customer sign it. My delivery dates for completion are always set well beyond when I actually think I can finish. Just saying. . . Commissions are mostly great fun with the occasional trial and tribulation thrown in. If you ever have a request for a commission, I encourage you to consider it seriously. Safe turning
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Only 6 days until Valentines day! Maybe your significant other would like a new turning tool Our Patriot Turners- @RustyFN turned a couple of small boxes, one of which he entered into his turning club's contest. Both are beauties! Check his post to see which one got entered into the contest! @forty_caliber got a new chuck for his lathe. This baby is a monster, too! He did a super job of sharing his findings and comparing it to one of his other chucks. Please see his post for lots more images and additional findings- Forty also posted his splated pecan bowl. Really gorgeous color and finish See his post for some more details- @Masonsailor used a couple of spare minutes to turn another one of his gorgeous bottle openers- Paul tells us a little more in his post- @jthornton is working on a gift, requested by his Mrs. I'm really looking forward to seeing how this "dizzy bowl" comes out! The glued up blank looks marvelous- JT has lots more process images in his post- @Bob Hodge's post about carbide quality and availability has a new entry. Thought it would be good to catch up- What’s Coming Up- Lots going on! Click the images for links and information- This is supposed to be on YouTube and Facebook- For The Newbies- Several videos from Richard Raffan explaining important aspects of turning. Tools, creating blanks, chucking small pieces and more Chucking methods- Spindle gouge and skew practice- Expand Your Horizons- Should I use a mortice or tenon to hold the piece? Ask 10 turners and you will probably get 15 different answers. Instead of asking a turner, ask the piece you are about to turn- @RustyFN showed a finial he turned and there was some comments on design. We posted this video before but it's worth another look- Our member @Steve Krumanaker turns beautiful honey dippers. This is how Mike Waldt does it- Several of our turners make segmented project. Having a way to assure the pieces are flat is a must. Mike Peace shows us how to make a disc sander attachment for your lathe- If you have a Facebook account, Tim Yoder posted a short video on getting to know your bowl gouge- https://www.facebook.com/watch/?v=612976757305709&ref=sharing New Turning Items- This video was taken at TAW trade show. Everything Else- Rick Turns list of YouTube woodturning videos from last week- Safe turning
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I have been grabbing some scraps and making small bowls and enjoying it. Trying different looks and some beading too. First one is Quilted Maple 3 1/3" diameter. Had this small piece for a long time. Found it in a stump I was removing out back many years ago. Second one is Ash from another tree out back. 4" diameter. Next one is Elm that came from the firewood pile also 4" diameter.
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Was talking with @Stick486 before Christmas and he posed the question, could inside out earrings be done? I didn't know if there would be enough glue area in a small turning and at the time I didn't have time to give it a try. Decided to give it a whirl this week and this is my first attempt. I could probably get a little fancier on the next set. I piut a few quarters in the picture for size comparison.
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I make ornaments and give them to friends and family each year. This year I decided to do Gnomes. I used the Amsterdam red ink for the roofs and faux fur from the craft store for the beards. Made 36 of the little guys. Already gave a few away and put some on my tree.
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Woke me up from a sound sleep...first good night's sleep in quite a while, too but....Single Brain Cell Sketch Up had come up with an idea...and would not let it ( or ME) rest. Idea is to take a few 1 x 4 x whatever Ash boards and make a Jewelry Box with beaded, mitered corners...hmmm...Cut the sides to about the right size.....add a groove to the end grain ends.. haven't cut anything, just yet......as for the miters? Each end gets 2 miter cuts. Figure I can tilt the tablesaw to 45 degrees, and run each end through to make both cuts..in theory Because two ends will fit like this... Not much space for glue? Until I add a beaded spline.... Bead via the Stanley 45, then a few cuts so this thing will fit into the grooves... I'd form up the bead first....then saw cuts to remove the waste....one cut to clean off from the bead...then a couple cuts to free the piece up... May carry that mitered edge all the way around....may even do the lid to match, maybe...bottom will get housed into a groove...like the bottom of a drawer. And, this is what woke me up? Have things drawn up on paper, have to hope Boris doesn't steal the Plan... Stay tuned...
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I don't know why they make a beading tool to begin with how ever you don't really need one just a waste of money I think. Why use that when a Skew works just perfectly fine. While working on the next mill project, I did some more beading work. Still needs practice but this was nothing but skew. I still need a lot more practice doing it but hey it is what it is.
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From the album: Bowls and Platters
Cherry plate with beads on lip
